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Chen Xin (1849-1929), student
of Chen Zhongshen and author
of famous "Illustrated
Explanation to Chen family
Taijiquan"
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4."Rather
advance than retreat, (move)
lower (part of the body) first
before the upper (one)".
The center of gravity would
rather advance than retreat;
when shifting the weight lower
body moves before the upper
body [3].
5.Eyes Method
(Yan Fa) - "Spirit (Shen)
escorts front hand, the head
should not sway". The
Intent (Shen Yi) should be
on front hand, however eyes
should not be fixed on the
front hand, the head should
not sway following hands movement.
6.Strength
Method (Jin Fa) - "Crotch
shall open and be round, should
not twist (Niu) or sway to
the left and right horizontally
(Shuan)". Bottom should
relax and spread out to both
sides, so that hips "wrap"
(as if trying to embrace a
big ball with legs), hip joint
is kept tucked in (hips are
folded), opening (Kai) at
the rear and closing (He)
at the front, so that the
crotch becomes round; crotch
plays the role of an axis
of legs and waist, and during
rotation transfers the "Silk
Reeling Strength" (Chan
Si Jin),
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also
called "Spiral Strength"
(Luo Xuan Jin), which "coils"
starting from toes along shin,
thigh to Hui Yin Point, from
the body (Ming Men Point),
shoulder, upper arm, radius,
ulna and coils to the tips
of the fingers; when Yin and
Yang transfer (i.e. the center
of gravity is shifted from
one leg to the other), the
hips draw a rear, low arc;
hips are like a tray, remember
never to twist or sway them
to the left and right horizontally
(along straight line); both
hips should draw figure "¡Þ"
and strength should not break,
coiling (Chan) should circulate
in the shape of "~"
(Bei Si Kou); strength should
be full, without excess or
deficiency.
7.Many vertical circles, few
horizontal circles - the reason
to move along vertical circles
is to transmit the strength
(which raises from feet) from
bottom upwards, all when relaxed
(Song), sunk (Chen) and shifting
(the weight) in circular way
(Yuan Zhuan). Besides, it
is easier to maintain stability
when moving along vertical
circles. For this reason Small
Frame in movement uses mainly
vertical or almost vertical
circles.
8.Many full circles, few
arcs - the reason for using
full circles is to make
strength paths (Jin Lu)
complete, to reduce unnecessary,
repeated "Storing of
Strength" (Xu Jin),
to achieve continuity of
neutralizing (Hua) and striking
(Da), and launch an attack
with speed.
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TRACING
THE SOURCES OF "SMALL
FRAME" OF CHEN
STYLE TAIJIQUAN
Before
Chen Youben - 14th generation
descendant of Chen clan
and 6th generation inheritor
of Chen style Taijiquan
- there was only one
method of Taijiquan
practice transmitted,
and there was no division
into Large and Small
Frames. Chen Youben
was key personage who
played epoch-making
role in dividing Chen
style Taijiquan into
Large and Small Frames.
According
to the records in "Genealogy
of Chen Family"
(Chen Shi Jia Cheng),
Chen Gongzhao, Chen
Youben's father "achieved
pure and precise (Taijiquan)
skill, and trained many
students with deep understanding
(of Taijiquan)"
(in Chenjiagou there
is a story about Chen
Gongzhao competing in
strength with a mad
cow); Chen Youben and
Chen Youheng, his blood
brother, "were
both Xiang Sheng (students
of the ancient local
school) and learnt
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Chen
Peishan, second son
of Chen Lixian, lives
in Japan and teaches
Xiao Jia outside of
China
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Taijiquan, especially
(Chen) Youben, who
received "the
dragon's pearl"
(i.e. true transmission
of Taijiquan), and
trained his sons and
brother's sons in
the art (of Taijiquan),
had a modest carriage,
always as if (his
skill) was inferior
(to others), at that
time most of people
who excelled in Taijiquan
were his disciples.
(...) (Chen) Youben's
disciples - Chen Qingping,
Chen Youlun, Chen
Fengzhang, Chen Sande,
Chen Tingdong had
certain achievements,
Chen Gengyun also
called him (Chen Youben)
a teacher.
(1)(2)(3)(4)(5)(6)(7)
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